Exhibition: ‘A Piece of Nature’ Arts & Crafts Perceptions of Nature and the Byzantine Monument


The relationship between nature and architecture was particularly emphasized by the Arts & Crafts members as an expression of man’s inner-relationship with his natural surroundings. Historical architecture, in particular, had a central role in this interaction between man and the physical world. Medieval architecture, primarily the Gothic cathedral, was admired for its natural forms and the close almost mystical connections that it managed to establish with nature.

Pioneer architects of the British Arts & Crafts movement, such as Robert Weir Schultz and Sidney Barnsley of the British School at Athens BRF Archive, following the example of John Ruskin, William Morris and their Arts & Crafts masters, were among the first to record, document and study surviving Byzantine monuments in the Eastern Mediterranean. Their attitude towards the remains of Byzantine heritage in the region, eloquently reflected in their recordings and, later, publications, demonstrates a pronounced concern, at the footsteps of their masters, for the multiple interconnections between a historic building and its natural surroundings. Byzantine architecture was considered an essential part of the landscape and, vice versa, nature, the physical world, its forms and qualities were reflected in the historic building both in the way it developed as well as in impressive or even minute details in its architecture and decoration.

This exhibition was created for Nature and the Environment: the 53rd Spring Symposium of Byzantine Studies, which was planned by the late Dr Ruth Macrides, and it is dedicated to her memory.

New Journal: Journal of Late Antique, Islamic and Byzantine Studies (JLAIBS)

We are pleased to announce the launch of a new journal, Journal of Late Antique, Islamic and Byzantine Studies (JLAIBS), https://www.euppublishing.com/loi/jlaibs, published by Edinburgh University Press. The JLAIBS as a hotspot for interdisciplinary dialogue aims to disseminate new approaches and methodologies that intend to transform our understanding of broader Late Antique and Medieval phenomena, such as knowledge transfer and cultural exchanges, by looking beyond single linguistic traditions or political boundaries. It provides a forum for high-quality articles on the interactions and cross-cultural exchange between different traditions and of the so-called Byzantine Empire and the Islamic world. Thematically, the journal also welcomes submissions dealing individually with Late Antique, Byzantine and Islamic literature, history, archaeology, and material culture from the fourth to the fifteenth century.

Articles should be written in English and can be up to 15,000 words in total length (i.e. including all footnotes, bibliography and any appendices). Submissions to Journal of Late Antique, Islamic and Byzantine Studies should be formatted in accordance with the full JLAIBS style guidelines (https://www.euppublishing.com/pb-assets/Notes_for_Contibutors/JLAIBS_Style_guide-1614190487.pdf), and sent as Word and PDF files to: jlaibs@ed.ac.uk


Dr Petros Bouras-Vallianatos (University of Edinburgh)
Dr Marie Legendre (University of Edinburgh)
Dr Yannis Stouraitis (University of Edinburgh)

Editorial board:

Prof. Peter Adamson (Ludwig-Maximilians-Universität München)
Prof. Gianfranco Agosti (Sapienza Università di Roma)
Assoc. Prof. Corisande Fenwick (University College London)
Prof. Robert Hoyland (New York University)
Prof. Marc Lauxtermann (University of Oxford)
Prof. Maria Mavroudi (University of California, Berkeley)
Prof. Annliese Nef (Université Paris 1 Panthéon)
Prof. Dr Johannes Pahlitzsch (Johannes Gutenberg-Universität Mainz)
Assoc. Prof. Arietta Papaconstantinou (University of Reading)
Assoc. Prof. Maria Parani (University of Cyprus)
Prof. Samuel Rubenson (Lund University)
Assoc. Prof. Kostis Smyrlis (National Hellenic Research Foundation/Athens)
Assoc. Prof. Jack Tannous (Princeton University)
Assoc. Prof. Alicia Walker (Bryn Mawr College, Pennsylvania)